Name : Dodiya Mehul M.
Roll
No : 23
Enrollment
No : 206910840120011
Class : M.A. Sem 3
Paper
Name : The Post Colonial Literature
Question : Give general Estiment of Fanon’s “Black skin, white Masks’
Words : 1554
Percentage :
Year : 2017/19
Submitted
to : Smt. S.B.Gardi Department of
English, Maharaja Krishnakumarsinhji Bhavnagar University
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Question
: A Critical Analysis of Black Skin White Masks by
Frantz Fanon
Frantz Fanon was
a psychiatrist, philosopher, revolutionary, and writer from
the French colony of Martinique, whose works are influential in
the fields of post-colonial studies, critical theory, and Marxism. Fanon's contributions to the history of ideas are manifold.
He is influential not only because of the originality of his thought but also
because of the astuteness of his criticisms. He developed a profound social
existential analysis of antiblack racism, which led him to identify conditions of
skewed rationality and reason in contemporary discourses on the human being.
Fanon published numerous books, including The Wretched of the Earth (1961).
This influential work focuses on what he believes is the necessary role of
violence by activists in conducting decolonization struggles.
Post-Colonialism, actually is
an academic discipline featuring the methods of intellectual discourse that
analyze, explain and respond to the cultural legacies of colonialism
and of imperialism, to the human consequences of controlling a country and
establishing settlers far the economic exploitation of the native
people and their land. The post-colonialism questions and reinvents the modes
of cultural perception the way of viewing and of being viewe As a critical theory,
post – colonialism presents, explains, and illustrates the ideology and the
praxis of neo-colonialism, with examples drawn from the humanities history and
political science, philosophy and Marxist theory, sociology, anthropology, and
human geography, the cinema, religion, and theology; feminism, linguistics’ and
post colonial literature of which the anti- conquest narrative garners presents
the stories of colonial subjugation of the subaltern man and woman Frantz Fanon was
influenced by a variety of thinkers and intellectual traditions including
Jean-Paul Sartre, Lacan, Negritude and Marxism. He was influenced by Aime
Cesaire, a leader of the negritude movement, was teacher and mentor to fanon on
the island of Martinique. Fanon referred to Cesaire’s writings I his own work.
He quoted, for example, his teacher at length in
“They lived experience of the Black man
“
a
heavily anthologized essay form Black Skin,White Masks. Fanon‘s works influeced
thr Liberation movements of the Palestinians, Tamils, African Americans
and others. His work Influenced Africans literatur “His
revolutionary ambitions’ cu Short by leukemia in 1961, psychoanalyst
and Philosopher Frantz Fanon red by the time of His death amassed a body
of critical work that today establishes his position as a leading theoreticia Of
black consciousness and identify, nationalism and Its failings, colonial rule
and the inherentl “ violent” task of decolonization , language as an
Index of power, miscegenation, and the objectification of the per formative
black body. Fanon‘sBurgeoning popularity and influence and morerecent
postcolonial readings of black liberation and nationalism perhaps
sever as an index of hiscentrality to the movement for the Algerian self
determinations in the 1950 ‘ s that was shaped his
diverse career as a political activist and critic. ““Black Skin, White Masks
“is a Book about the mindset of psychology of racism. There are many chapters
like,
1. The
Negro and Language
2. The
Woman of Color and the White Man
3. The
Man of Color and the White Woman
4. The
So-called Dependency Complex of the colonized peoples
5. The
fact of Blacknes
6. The
Negro and Psychopathology
7. The
Negro and Recognition
8. By
way of conclusion
Acording to “The negro
is not: Any more than the White Man”. In Fanon’s words, his writing “exposes an
utterly naked declivity where an authentic upheaval can be born Fanon’s
agonizinged self- images performance spell-bound “I had to meet the white
man’s eyes. An unfamiliar weight budened me. In the white world the man of colour
encounters difficulties in the development of his bodily schaema….I was
battered down by tom-toms, cannibealism, intellectual deficiency deficaiency,
racial defects…I take myself for off from my own presence…what else could it be
for me but an amputation, an excision a hemorrhage that spattered my whole body
with black bleed?”thus “Black Skin, White Masks “That it rarely
historicizes the colonial experience. There is no master narrative or realist
perspective that provide a background ofo social and historical facts against
which emerging the problems of the individual or collective psyche. Such a
traditional sociological alignment of self and society or history and psyche is
rendered questionable in fanon’s identification of the colonial subject who is historicizing
as it come to be heterogenerously inscribed in the texts of history literature
science, myth, the colonial subject is ‘always’ over determined from without.”
Fanon explores the relation
between race, language, and culture. For Fanon, languages provides entry into a
culture, so when someone speaks French, they are taking on the French culture.
But when Black people speaking French, they are always reminded they can never
be fully French. Somehow we can connected with norman ruler in early age that
time also franch became a language of rich and countrier’s language and english
is a poor language but now the defination of that is totally changed the
Language of English or white man became a superior and the other is inferior.
Fanon observed that Black women may take a white lover in order to get access
to a white culture that has more advantages and privileges. Similarly, Black
men may consider white women gatekeepers to culture, and marrying a white woman
provides a feeling of having married all the beauty, education, and wealth that
whiteness stands for in racist societies. But because Black people can never
leave behind the fact of their Blackness, fleeing from their race is also
fleeing from themselves. Black people internalize their oppression as a
personal failure, this is when an inferiority complex arises. It is also
constantly reinforced in everyday life in racist societies, because Black
people are constantly reminded they are Black first and people second.
Fanon explores how people might move beyond this situation in which Black
people are depicted as inferior and often develop a feeling of inferiority as
well. He dismisses theories by other psychiatrists that would solve the
neurosis of an individual Black man by asking him to adjust his expectations
and face reality. Instead, he wants social solutions that transform the racist
society that produced conditions of inequality to begin with. Black people need
to be encouraged to transform society by demanding humanity from white people,
asserting freedom, and building a future freed from the subjugation of the
past. Fanon throughout the book deals with the inner struggle of black when
they were colony ‘the black man and language’ deals with language. Here we saw
the ideal of blackness, notion of desire, idea of identity, what is humanism?,
0-Other, self ego, civil rights, human rights, self desire, the idea of
Negritude, idea of darkness. For him- Black is attitude, attitude comes from
culture. The idea of Blackness,The idea of identity, Notion of
desire, The idea of Negritude, The idea of Darknes,
Other, Hate, feeling Self, Self (play) (desire) ego
ideal, Black-Mulatto-White, There are two such women: the Negros and the
mulatto. The first has only one possibility and one concern: to turn white. The
second wants not only to turn white but also to avoid slipping back. What
indeed could be more illogical then a mulatto woman’s acceptance of a Negro
husbands? For the understood once and for all that it is a question of saving
the race. Fanon noticed that “when people came back from France after receiving
their university education they would speak in painfully perfect French and act
as if they no longer knew Creole. Why was that?” by the way, Fanon
says he has only one rights and one duty. 1) The rights to demand human
behavior from the other, 2) The duty to never let his decisions renounces his
freedom, Black Skin, White Masks is a unique work of art. It deals with much
aspect like a man’s search of identity race prejudice that prevails all over the
world and in our century too. The whites addressed the third world people as
others they wanted to civilize to others them humiliated others. They treated
us as if we were ignorant ant and animal’s non white means not human but
savage-this is what they believed. Black always tried to be white they did not
respect their culture but ram madly after white culture they were made o
believe themselves to be inferior to the colonizers. The colonizers believed to
be far.
Thus, Frantz work
present hybridists, syncretistic, creolizaion, national and religious
peculiarity, abrogation, appropriation, rewriting of history and much more many
Indian novelist work like Tagore’s “Gora” can be compared with this book as far
as social moral and political issues are considered. Own Dalit literature also
can be kept in mind while referring “The Black Skin White Masks.”
Works Cited
GradesSaver. Black skin white mask. n.d. 3 nov
2018.
Vajani, Bhumi. A Critical Analysis of Black Skin
White Masks. 24 feb 2014. assignment. 3 nov 2018.
Wikipedia. Black Skin, White Masks. 9 Sept
2018. 3 Nov 2018.
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